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Billy Joel Contact Details:
REAL NAME: Billy Joel
NICKNAME: Billy Joel
DOB: 9 May 1949 (age 72 years
BIRTHPLACE: New York, United States
BIRTH SIGN: Taurus
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: Alexis Roderick
Billy Joel Bio
The Echoes changed their name to the Emeralds in late 1965 and then to the Lost Souls before Joel left in 1967 to join the Hassles, a Long Island band signed to United Artists Records. In 1969, Joel and Hassles drummer Jon Small formed the duo Attila, which released their self-titled debut album in July 1970. The duo split up in October of that year after Joel began an affair with Small’s wife, Elizabeth, whom Joel eventually married.
Cold Spring Harbor, New York Cuts that are popular “She’s Got a Way” and “Everybody Loves You Now” were originally included on this album, but received little attention until they were included as live performances on Songs in the Attic in 19 Joel began performing in the fall of 1971 in New York City and relocated to Los Angeles in early 1972, adopting the stage name “Bill Martin.” He spent six months in California performing at The Executive Room piano bar on Wilshire Boulevard. It was there that he wrote his signature song, “Piano Man,” about the lounge’s various patrons.
He then toured throughout the United States and Puerto Rico with his band members (Rhys Clark on drums, Al Hertzberg on guitar, and Larry Russell on bass) until the end of June 1972, opening for headliners such as the J. He electrified the crowd at Puerto Rico’s Mar y Sol festival and received a significant boost to his career.
Additionally, Philadelphia radio station WMMR-FM began airing a concert recording of Joel performing “Captain Jack,” which quickly became an East Coast underground hit. Herb Gordon, a Columbia Records executive, heard Joel’s music and immediately recognized his talent. Joel moved to Los Angeles in 1972 after signing a recording contract with Columbia. He stayed for three years (and later declared that those three years were a huge mistake), before returning to New York City in 1975. The early years of Columbia: 1973–1976 Billy Joel on the 1975 single cover for “The Entertainer.”
Yetnikoff notes in the documentary film The Last Play at Shea that he ultimately had to threaten Ripp to secure the song rights. Thus, while Ripp continued to profit from Joel’s albums, Joel gained ownership of his songs with the assistance of the president of his new record label. Joel’s rage over the debacle would later manifest itself in the song “Getting Closer,” the closing track from his 1986 album The Bridge (the final of which was constrained Piano Man’s standout track was the title track, which has become Joel’s signature song despite peaking at #25 on the Billboard Hot 100. (It ends nearly all of his concerts.) In 1973, Joel’s touring band shifted as well. Don Evans took over for Al Hertzberg on guitar, and Patrick McDonald took over for Larry Russell on bass until late 1974, when he was replaced by Doug Stegmeyer, who remained with Joel until 1989.
Tom Whitehorse added banjo and pedal steel, and Johnny Almond added saxophone and keyboards to complete the lineup. Joel’s contagious spirit and talent galvanized the band into a tight performing unit, which toured extensively throughout the United States and Canada and appeared on popular music shows of the day Joel stayed in Los Angeles to complete Streetlife Serenade, his second Columbia Records release. Around this time, Jon Troy, an old friend from New York’s Bedford-Stuyvesant neighborhood, served as Joel’s manager, though he would soon be succeeded by Joel’s wife Elizabeth. The album is peppered with references to both suburbia and the inner city. The album’s standout track is “The Entertainer,” a US chart-topper that n records sold worldwide.
According to the list of the world’s best-selling musicians, Joel is the ninth most successful solo artist of all time in terms of total certified sales. Not on a wooden floor with Jackson wearing stocking feet.) Nike sold T-shirts with a list of Jackson’s sports – both real and imagined – crossed out. Gretzky was replaced in an alternate version of this commercial that aired in the United Kingdom by English Test Cricketer Ian Botham, who responded with the same one-word response to the notion that Bo would ever attempt to play Cricket.
Jackson also made light of the advertising campaign during a guest appearance on a Lois and Clark: The New Adventures of Superman episode from the first season. He appeared in the scene alongside Dean Cain’s Clark. Bo is unquestionably the superior athlete, at least until Clark utilizes his aerial abilities to catch the ball. “Bo is unaware!”
Ernesto Juan Castellanos’ film Havana Jam ’79 captures his performance. 1980s era Joel’s success with piano-driven ballads such as “Just the Way You Are,” “She’s Always a Woman,” and “Honesty” prompted some critics to label him a “balladeer” and “soft rocker.” Joel considered these labels to be unjust and insulting, and with Glass Houses, he attempted to demonstrate that he could rock harder than his critics believed, occasionally imitating and referencing the style of New Wave rock music that was gaining popularity at the time.
Joel is depicted on the album’s front cover wearing a leather jacket and about to throw a rock at a glass house (a reference to the proverb “people who live in glass houses should not throw stones”). Glass Houses spent six weeks at the top of the Billboard chart and produced such hits as “You May Be Right” (#7, May 1980), “Don’t Ask Me Why” (#19, September 1980), “Sometimes a Fantasy” (#36, November 1980), and “It’s Still Rock and He embarked on a brief tour in support of In 1982, he embarked on a confirmed his dislike for the album), it contains several notable tracks, including the title track, “Los Angelenos,” and the instrumental “Root Beer Rag,” which was a staple of his live set in the 1970s and was frequently resurrected in 2007 and 2008. Additionally, Streetlife Serenade marks the start of Joel’s transition to a more assured vocal style.
The 20th Anniversary of Rock ‘n’ Roll, playing piano and organ. Joel returned to New York in 1976 after being dissatisfied with the Los Angeles music scene. There he recorded Turnstiles, the first time he employed his own hand-picked musicians in the studio and also took a more hands-on role. Initially, songs were recorded at Caribou Ranch with members of Elton John’s band and produced by renowned Chicago producer James William Guercio, but Joel was dissatisfied with the results. Joel re-recorded the songs in New York and took over as producer of the album. Ronnie Spector covered “Say Goodbye to Hollywood,” a minor hit that echoed the Phil Spector sound.
(In a 2008 radio interview, Joel stated that he no longer performs “Say Goodbye to Hollywood” live because the key is too high and “shreds” his vocal cords.) Additionally, the album included the song “New York State of Mind,” a jazzy torch song that has become one of Joel’s signature tunes (despite the fact that Joel never released the song as a single), and which was later covered by fellow Columbia labelmates Barbra Streisand on her 1977 Streisand Superman album, as well as Tony Bennett on his 2001 Playing with My Friends: Bennett Sings the Blues album.
Other notable album tracks include “Summer, Highland Falls,” “Miami 2017 (Seen the Lights Go Out on Broadway),” and “Say Goodbye to Hollywood,” which was later a Top 40 hit in a live version in 1981. “Prelude/Angry Young Man,” another album track, became a staple of his live performances as well. Columbia Records teamed Joel with producer Phil Ramone for The Stranger (Ramone would go on to produce all of Joel’s studio albums until 1986’s The Bridge). The album was released in September 1977 and produced four Billboard Top-25 hits: “Just the Way You Are”, and “Movin’ Out (Anthony’s Song).
Only the Good Die Young” (#24), and “She’s Always a Woman” (#17). The album outsold Columbia’s previous best-seller, Simon & Garfunkel’sBridge Over Troubled Water, and was certified multi-platinum. It was his first Top Ten charting album, peaking at #2. Additionally, The Stranger included “Scenes from an Italian Restaurant,” an album-oriented rock classic that has grown to be one of his most well-known songs. Joel won Grammy awards for Record of the Year and Song of the Year for “Just the Way You Are,” a song he wrote for his first wife, Elizabeth Weber. In February 1979, while on tour, he received a late-night phone call to his hotel room in Paris informing him that he had won both categories. Rolling Stone magazine has ranked The Stranger as the 70th best album of all time. Joel’s follow-up album, 52nd Street, was met with high expectations upon its 1978 release.
The album is named after a famous street in New York City that was home to many of the world’s premier jazz venues and performers during the 1930s, 1940s, and 1950s. The singles “My Life” (#3), “Big Shot” (#14), and “Honesty” (#24) prompted over seven million sales. This contributed to 52nd Street become Joel’s first Billboard chart-topping album. “My Life” became the theme song for a new US television sitcom, Bosom Buddies, starring actor Tom Hanks in one of his earliest roles. The album was nominated for Grammys in the categories of Best Pop Vocal Performance by a Male, Best Pop Vocal Performance by a Female, and Album of the Year. 52nd Street was the first compact disc album to be released in Japan on October 1, 1982, alongside Sony’s CDP-101 player.
|Billy Joel phone Number, Email ID, Website|
|House address (residence address)||New York|
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34 Audrey Ave #5, Oyster Bay,