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James Spader Contact Details:
REAL NAME: James Spader
DOB:7 February 1960
BIRTH SIGN: Aquarius
FATHER: Not Known
MOTHER: Not Known
SIBLINGS: Libby Spader
SPOUSE /WIFE: Victoria Spader
CHILDREN: Sebastian Spader
James Spader Bio
James Todd Spader was born in Boston, Massachusetts on February 7, 1960, the son of teachers Jean (Fraser) and Stoddard Greenwood “Todd” Spader. He went to Phillips Academy in Andover with has two sons, Sebastian Spader (born 1989) and Elijah Spader (born 1990). (born 1992). Charles Laughton’s work is greatly admired. Diner (1983) and Starcrossed (1985) were both unsuccessful television pilots.
Is known to prefer the name “Jimmy.” Victoria Spader, his wife, was the set decorator for Sex, Lies, and Videotape (1989). Refuses to watch any of the films in which he has appeared. “TV Fun House” writer/cartoonist Robert Smigel, best known as the voice of Triumph the insult comic dog from Late Night with Conan O’Brien, was born on the same date (February 7, 1960) as Saturday Night Live (1975). (1993).
Has poor vision and is unable to wear contact lenses. Has stated that when he is not wearing his glasses, he can barely make out the face of the actor across from him in a scene. Alan Shore was the first performer to win Leading Drama Actor Emmy Awards for playing the same character on two different series (The Practice (1997) and Boston Legal (2004)).
Is quick to point out that, in contrast to the sleazy, sneaky characters he is best known for playing, he is a nice, friendly man in real life. Has appeared in three films with Andrew McCarthy: Pretty in Pink (1986), Mannequin (1987), and Less Than Zero (1989). (1987). Has appeared in four films with Eric Stoltz.
A Killer in the Family (1983), The New Kids (1985), 2 Days in the Valley (1996), and Keys to Tulsa (2000). (1997). In the drama film Taps (1981), he auditioned for the role of Cadet Captain Alex Dwier, but lost to Sean Penn. When he landed his first feature film Endless Love, he was working as a janitor at a rehearsal studio in Times Square run by acting teacher and casting director Trent Gough (1981). His father died two weeks before he started work on Critical Care (1997).
Has a photographic memory. He can look at a script and recall the layout of the pages. He “reads” the page while filming a scene. The only time he messes up a line is when very similar words (for example, “it” and “is”) are written close together. On August 31, 2008, fiancee Leslie Stefanson gave birth to his third son. Lee Kheel’s ex-son-in-law. Stoddard Greenwood and Jean (Fraser) Spader are both educators.
Has Scottish, French, Dutch, German, and Swiss-German ancestors, as well as some English. Many of his ancestors came from Colonial America in the 1600s. Laurent Clerc, a deaf educator, mathematician Nathaniel Bowditch, Revolutionary War general Joshua Babcock, and Paul Mascarene, a Lieutenant-Governor of Nova Scotia, are among James’ famous ancestors. James also has a “Vanderbilt” ancestor in common with famous businessman Cornelius Vanderbilt. The birth date on Raymond “Red” Reddington’s ”
Ten Most Wanted” poster in The Blacklist (2013) is February 7, 1960, which is Spader’s actual birth date. He was close friends with John F. Kennedy Jr., and they both went to Phillips Academy (Andover) high school together. Spader even dined with John Jr. on occasion at his mother, Jacqueline KennedyUpper,’s East Side apartment in New York. Christian Clemens, Robert Downey Jr.,
Eric Stoltz, Jason Alexander, and Rowdy Herrington are all close friends. Is a huge fan of the late, great Bob Dylan. Acura car commercials required commercial voice-overs. I don’t work if I don’t need the money. I don’t mind approaching someone and saying, “Okay, this is the amount of money I’ll need to pay my bills for the next six months. I’ll make the film if you pay me that much.
What made him agree to play the lead in Sex, Lies, and Videotape (1989) I accepted the part because I was interested in playing it. I don’t have the time or energy to consider work as stepping stones. It seems a shame to regard your work as a means to an end, because the end, you know, is death. Because the means is flesh and blood, you should enjoy it. Fuck the conclusion. I don’t work if I don’t need the money.
I’m going to spend time with my family and friends, travel, read, listen to music, and try to learn a little bit more about how to be a human being rather than how to be someone else. People in the studio are terrified of Crash (1996). It makes a statement about whoever is in charge of releasing the film. Miramax received a lot of criticism for releasing Kids (1995). Whoever releases Crash will face the same fate (1996).
Crash (1996) complements my artistic sensibilities. It’s a film for adults that’s provocative, challenging, and disturbing. For me, it’s not a skeleton in the closet. [on his sadomasochistic scenes in the 2002 film Secretary In that scene, I did something I’d never done in a film before, but that’s been the case with so many of my films.
You just want to get to work. I enjoy playing character roles, and I’m not afraid to be a real son-of-a-bitch or to em only making movies, after all. It’s a lot less stressful than being a surgeon, though it seemed like the only other job I was qualified for was manual labor.
Sometimes work is the most important thing to people, and sometimes work allows you to do other things. Peter Sellars, rector; dropped out in the eleventh grade. Before landing his first roles, he bu] I’ve had a sluggish career, making one film a year at best and none at all at worst. I’m out on the street doing this other thing, living, that I’m far more interested in. On the side, I do some acting.
When I was a kid, I used to play cops, robbers, pirates, and other roles, but I didn’t want to grow up and become an actor and play cops, robbers, and pirates. I wanted to be cops, robbers, and pirates when I grew up. I grew up a Boston Red Sox fan. I grew up going to Fenway Park, the Museum of Fine Arts, the Science Museum, Symphony Hall, and walking around the Common. My entire family has lived and worked in Boston at various times.  You know, when you choose to make a living as an actor, it’s fine to think of it as an artistic endeavor.
It is, at its best, that. However, most actors do not earn $3 million per film and cannot afford to take two years off between films to look for the right thing. The majority of us work in the trades. Acting is a passion for me, but it’s also a job, and I’ve always approached it that way.
I have a very manual-laborist perspective on acting. There’s no shame in making a film for the sake of making money. There’s no shame in making a movie because you’ve always wanted to visit China. As I was driving home last night, I was thinking about this. I began to go back through the various films I’d done, as well as the television movies I’d done, and I began to consider why I chose them at the time. And I realized that every single film I’ve ever done has been for the money. Each and every one. I’m not ashamed to admit it.
I actually had a lot of trouble getting people to hire me for a long time. My anxiety used to show up in unusual ways. When I’d go in to read for some innocent, vulnerable character, I’d get the response, “Well, we met Jimmy… and he scared us.” 1995 I’m not excited about putting my life out there for everyone to see. I like to make one or two films a year and then do the bare minimum in terms of promotion.
My life outside of films is very important to me. [on the making of Stargate (1994) I didn’t know a lot about this genre. The only requirement I placed on the image was that my paycheck arrive and that I have fun making it. It appeared to be a lighthearted affair. That it was. I’m not a big fan of self-important films. about his appearance on Boston Legal (2004) The most interesting heroes have a certain amount of villainy to them, and the most interesting villains have a certain amount of heroism to them.
I believe (Alan Shore) intends to do the right thing, but his worldview is very different, so he sometimes takes a path through a very dark forest to get to the right place. about his menial jobs prior to acting For a while, I drove a truck for a meatpacking plant. In New York, I shoveled manure at the Claremont Riding Academy. For a while, I mopped the floors. At a warehouse, I uploaded railroad cars and trailers.
didn’t think I was qualified for anything else. When you’re a kid running around playing make-believe, everything changes from moment to moment – and so does a television show. That’s why I got into the business in the first place! I prefer to know just enough to get the job done.
|Liza Koshy contact Address, Phone Number, Ema ID, Website|
|Phone Number||(310) 550-4000|
|House address (residence address)||ICM Partners
(Talent and Literary Agency)
10250 Constellation Blvd.
Los Angeles, CA 90067-6209
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James Spader Phone number: NA
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James Spader Fanmail address:
10250 Constellation Blvd.
Los Angeles, CA 90067-6209