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Kathryn Bigelo Contact Details:
REAL NAME:Kathryn Bigelo
NICKNAME: Kathryn Bigelo
DOB:27 November 1951 (age 69 yea
BIRTHPLACE:San Carlos, California
BIRTH SIGN: Taurus
PROFESSION: film director
FATHER:Ronald Elliot Bigelow
MOTHER:Gertrude Kathryn Bigelow
SPOUSE / HUSBAND:
Kathryn Bigelo Bio
Kathryn, a gifted painter, studied at the San Francisco Art Institute for two years. At the age of 20, she was awarded a scholarship to the Whitney Museum’s Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she created art and waited to be critiqued by people like herself. Richard Blue Steel (1990), (wire trip scenes in Strange Days (1995) and chase scenes in Point Break (1991)) and The Hurt Locker are examples of films that frequently use first person perspectives (2008). Slow motion is frequently used, especially in action scenes. Interesting Facts (24) In 2003, he served on the jury for the ‘Official Competition’ at the 54th Berlin International Film Festival.Those two were on a double bill; I was in New York, had a studio, and was basically a practising artist, workinKathryn Bigelow is an American film director, producer, screenwriter, and television director. Near Dark (1987), Point Break (1991), Strange Days (1995),
The Weight of Water (2000), K-19: The Widowmaker (2002), The Hurt Locker (2008), and Zero Dark Thirty (2010) are some of her films (2012). The Hurt Locker won the 2009 Academy Award for Best Picture, the BAFTA Award for Best Film, and was nominated for the 2009 Golden Globe Award for Best Drama. In 1995, she became the first woman to win the Saturn Award for Best Director for Strange Days. Bigelow was named to Time magazine’s list of the year’s most influential people in April 2010. Winsg with various art groups – Art & Language, kind of conceptual arts, political arts. We were doing environments, installations, and performance pieces…and then I came across this incredible double bill. And it was a life-changing experience.
They were simply extraordinary in my opinion I was knocked out…and then [in Mean Streets], Robert De Niro, with his twitchy reverence for this wonderfully insane underworld. The two [films] will always be inextricably linked in my mind. Whoever programmed those two movies together… it was at a time when I was starting to make short films in an artistic context. So film was definitely becoming an intriguing medium for me, and I hadn’t quite made the full transition yet, but I found those two films to be extraordinary, and hat kind of great irreverence, intensity, and determination in those characters.
In 1990, he was a member of the ‘Dramatic’ jury at the Sundance International Film Festival. In 2009, he received a Dallas Star award from the AFI Dallas Film Festival. Bigelow was honoured by the American Cinematheque, which screened all of her films at The Egyptian Theater in Hollywood from June 5-7, 2009. The Harvard Film Archive hosted a retrospective of her career from The Loveless (1981) to The Hurt Locker (2009) from July 1 to 13, 2009. (2008). The retrospective was titled “Take It To The Edge: Kathryn Bigelow’s Films” and included a Q&A session with her. Mike Cameron’s ex-sister-in-law. “A Celebration of Kathryn Bigelow,” a retrospective of her work, was held at the Santa Barbara International Film Festival in 2010.
First woman to receive a Directors Guild of America Award for directing a feature film (The Hurt Locker, 2008).She became the first woman in Oscar history to win Best Director in 2010. She was the first woman to win a BAFTA for Best Director. When she submitted an unfinished short film to Columbia University’s film school, director Milos Forman, who was then a professor there, thought it was good enough to offer her a scholars[Aug. 2017, on Detroit (2017)] For many years, the events at the Algiers Hotel have been shrouded in mystery. Hopefully, by bringing this storey to light, a number of things will occur. Other stories may emerge, or a meaningful storey about race may emerge in this country [… Consider South Africa, which is engaged in a heated debate about truth and reconciliation. That is not available here. It appears that the race issue has been relegated to a single community to address. We are all responsible for resolving or improving the situation. [in August 2017, on the lack of female filmmakers in Hollywood] It’s a travesty.
I believe it is moving in the right direction, but it is painfully slow, and where is the inequity coming from? That is a large and complicated sociological question. [in 2017, on Barry Jenkins] He is one of the few artists who is willing to look into the deeper places of themselves and society in order to provide a lens through which we can discover the humanity at our core. And he has come to the attention of the world at precisely the right time, when we most need someone to give voice to those who have not been heard. [Aug. 2017, on Detroit (2017)] “Nothing can be changed until it is faced,” James Baldwin once said. And there appears to be a radical desire in America to avoid confronting the reality of race. As a result, these events keep repeating themselves. [in 2017, on why she switched from fine art to feature films] I knew film had the power to transcend all barriers of culture and class. This piqued my interest.
She was the fifth woman to be nominated for a Directing Academy Award in 2018. Lina Wertmüller, Jane Campion, Sofia Coppola, and Greta Gerwig were the other four. Bigelow was the first woman to receive the award. In 2010, she competed for the Best Director Oscar with ex-husband James Cameron. This was the first time that (ex-)spouses were nominated in this category together. She went on to win the award, becoming the first female director to do so. She was named one of the “Time” magazine’s 100 Most Influential People in the World in 2010. Near Dark (1987), a 1987 feature-length film, and her personal paper archive are among her works in the permanent collection of the Museum of Modern Art. Barbra Streisand, the only woman to have won the Golden Globe for Best Director, presented her with her Best Director Oscar statuette for
The Hurt Locker (2008) on March 7, 2010 at the Kodak Theatre in Los Angeles, CA. When she first arrived in New York City in 1970, she hung out with Susan Sontag and Philip Glass. She and Glass even worked together on a business venture in which they purchased old lofts in Soho and Tribeca, renovated them, and then sold them. She claims she was frequently in charge of sanding the floors. She has directed two Academy Award-nominated actors as of 2018: Jeremy Renner (Best Actor, The Hurt Locker (2008)) and Jessica Chastain (Best Actress, Zero Dark Thirty (2012)). In 2008, he travelled to Argentina to promote The Hurt Locker (2008) at the 23rd Mar del Plata International Film Festival. Her favourite films include The Wild Bunch (1969), Mean Streets (1973), Lawrence of Arabia (1962), The Terminator (1984), and Alfred Hitchcock’s complete works. After seeing a rough cut of Coriolanus, Ralph Fiennes decided to offer Jessica Chastain the lead role in Zero Dark Thirty (2012). She directed one film, The Hurt Locker, which was chosen for the National Film Registry by the Library of Congress as “culturally, historically, or aesthetically” significant (2008).
t doesn’t matter who or what directed a film; what matters is that you either respond to it or don’t. There should be more female directors; I believe there is simply a lack of awareness that it is possible. Yes, it is. Strange Days (1995) You can’t blame the mirror if you hold it up to society and don’t like what you see. It’s a reflection. I believe that on the eve of the millennium, only four years from now, the clock is still ticking, the same social issues and racial tensions still exist, and the environment still needs to be reexamined so that you don’t forget it when the lights go out. Strange Days (1995) is a thought-provoking film. Without giving too much away, I’d say we’re on the verge of a highly chaotic, explosive, volatile, Armageddon-style ending. Obviously, the riot footage was obtained during the Los Angeles riots. I mean, I was present. That happened to me. I was involved in the cleanup afterward, so I was very conscious of the environment. I mean, it had a big impact on me. Obviously, some of the imagery was influenced by this.
I despise violence. But, to be honest, I’m very curious. And violence is a fact of life, a component of the social context in which we live. However, other themes in the film include love, hope, and redemption. After witnessing this heinous event, our main character vomits. The most diff – Mini Biography on IMDb Skully’s Homevaluable. I’ve always wanted to make films. I see it as a fantastic opportunity to make a statement about the world we live in. Perhaps it’s because I just finished The Hurt Locker (2008), and I’m thinking about the war, and I think it’s a terrible situation. It’s an excellent medium for discussing it. Why are we sending troops to a war that cannot be won? Well, the only medium I have, the only opportunity I have, is film. There will always be issues that I am passionate about.
You cast not for star power, but for performance and talent. The right actor for the part. Anything else is a compromise. [on The Hurt Locker (2008)] War’s dirty little secret is that some men enjoy it. I’m trying to figure out why, to examine what it means to be a hero in the context of 21st-century combat. Usually, there will be a sense of urgency, and I will be unable to do anything else. [However], events like this [the assassination of Osama bin Laden] only occur once or twice in a millennium. [from Zero Dark Thirty (2012)] I believe we got it right. I’m proud of the film and fully support it. I believe it is a deeply moral film that calls into question the use of force. It calls into question what was done in the name of finding [Osama bin Laden]. It is extremely difficult to close a window on current events once it has been opened. Holding up a modern mirror is more appealing to me now than it has ever been.
|Kathryn Bigelow phone Number, Email ID, Website|
|House address (residence address)||San Carlos, California|
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Creative Artists Agency
2000 Avenue of the Stars
Los Angeles, CA 90067