Martin Scorsese Phone Number, Fanmail Address and Contact Details

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If you want to know about Martin Scorsese’s real phone number and also looking for Martin Scorsese email and fanmail address then, you are at the correct place! We are going to give you the contact information of Martin Scorsese like his phone number, email address, and Fanmail address details.

Martin Scorsese Contact Details:

REAL NAME:Martin Scorsese
NICKNAME:Martin Scorsese
DOB:17 November 1942
BIRTHPLACE:Flushing, Queens
PROFESSION:film director
FATHER:Charles Scorsese
MOTHER: Catherine Scorsese

Martin Scorsese Phone Number, Fanmail Address and Contact Details

Martin Scorsese  Bio

They both worked in Manhattan’s garment district and their families were both from Palermo in Sicily. His childhood was in Little Italy, where he later found inspiration for many of his films. Scorsese received a B.S. In 1964 Scorsese earned a B.S. in film communications, then an M.A. in the same field in 1966. In 1966, he was a director in the same field at New York University’s School of Film. He made many prize-winning short films, including The Big Shave (1967), as well as his first feature film, “Who’s That Knocking at my Door (1967).

As an assistant director and editor of Woodstock (1970), Scorsese’s beloved documentary, Gangs of New York (2002,  honors including a Golden Globe Award as Best Director. The Howard Hughes biopic The Aviator (2004) also won five Academy Awards in addition to the Golden Globeb Scorsese’s Taxi Driver (1976), which also starred De Niro in the lead, won the Palme d’Or at Cannes Film Festival 1976. He then followed that film with New York and New York (1977) as well as The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director

Martin Scorsese Phone Number
Martin Scorsese Phone Number

Scorsese also directed The Color of Money (1986), The Last Temptation of Christ (88), Goodfellas(90), Cape Fear (1991), The Age of Innocence (1893), Casino (1995), Kundun (1997), and other films. Scorsese was Scorsese followed that with Shine a Light (2008), a documentary about the Rolling Stones at concert. Two years later, he released the highly successful thriller Shutter Islands (2010)Est Director is considered one of the greatest films of modern cinema.

Scorsese also directed The Color of Money (1986), The Last Temptation of Christ ( 1988), Goodfellas (1990), Cape Fear (91), The Age of Innocence (1993), Casino(95), Kundun (1997), and other films. Scorsese was commissioned by the British Film Institute for the 100th anniversary of cinema’s birth. He completed the documentary Century of Cinema: A Personal Journey With Martin Scorsese Through American Movies (1995), which was co-directed and directed by Michael Henry Wilson. Gangs of New York, his long-cherished film, was awarded numerous critical honors. The Howard Hughes biopic The Aviator (2004) also won five Academy Awards in addition to the Golden Globe, BAFTA and Golden Globe awards for Best Picture.

Roger Ebert, a film critic, saw the film at 1967 Chicago International Film Festival. He praised Scorsese’s film writing and said that “I Call First” brought these two types of films together to create a film that is authentic, artistically satisfying, and technically comparable with the finest films made anywhere. It is a momentous moment in American cinema that I can vouch for. “Scorsese made friends with four influential movie brats of the 1970s: Francis Ford Coppola George Lucas , and Steven Spielberg. Scorsese also worked as an assistant director and editor on Woodstock (1970). He also met John Cassavetes who was a close Tribute (191998), DGA Lifetime Achievement Award (2003) and The Kennedy Center Honors (2007), as well as the HFPA Cecil B. DeMille Award (2010). Scorsese has collaborated with actor Leonardo DiCaprio on five occasions: Gangs of New York (2004), The Aviator (2006), The Departed (2006) and Shutter Island (2010).

Corman was the one who showed Scorsese how entertaining films could be made with very little money and time. This prepared him well for the challenges of Mean Streets. Cassavetes encouraged Scorsese, after the film was released, to make the films he wanted, not someone else’s. Pauline Kael (an influential film critic), championed Mean Streets as a breakthrough for Scorsese and De Niro. The signature Scorsese style was now in place. It featured macho posturing and bloody violence, Catholic guilt, redemption, gritty New York locale (though most of Mean Streets was filmed in Los Angeles), fast-fire editing, and a soundtrack featuring contemporary music. The film was original, but its wired atmosphere and edgy documentary style and gritty street-level direction owed a lot to directors Cassavetes and Samuel Fuller.  In 1974, Ellen Burstyn selected Scorsese as her director for Alice Doesn’t Live Here Anymore for which she received an Academy Award for Best Actress. The film is a notable exception in Scorsese’s early career, as it centers on a central female character.

Robert De Niro starred as Travis Bickle, a troubled, psychotic character. Jodie Foster played a controversial role as a young prostitute. Harvey Keitel was her pimp. Scorsese and Paul Schrader began a series collaborations with Taxi Driver. Their influences included Pickpocket and the diary of Arthur Bremer, the French director Robert Bresson. The writer-director Schrader frequently returns to Bresson’s work in films like American Gigolo, Light Sleeper and Scorsese’s later Bringing out the Dead. Taxi Driver was controversial again after its release. Title=”John Hinckley  John Hinckley Jr. attempted to assassinate then-president Ronald Reagan. Later, he blamed his actions on his obsession with Jodie Foster’s Taxi Driver character. (In the film, Travis Bickle, a character played by De Niro, makes an attempt to assassinate a senator. Taxi Driver was nominated for four Oscar nominations including Best Picture. Scorsese was encouraged by Taxi Driver’s financial and critical success to pursue his first major-budget project, the highly stylized musical New York. Scorsese was not able to make the film, which was a tribute to his hometown and the classic Hollywood musical, a failure at the box office.

Scorsese cited Victor Mature and Sabu as his favourite actors in his youth. Scorsese also spoke of his childhood love for Victor Mature and Sabu. Scorsese was also influenced by neorealist cinema during this period. In a documentary about Italian Neorealism, Scorsese recounted the influence of it and commented on how Bicycle Thieves and Rome, Open City, and especially Paisa influenced him and his portrayal of Sicilian roots. Scorsese mentioned in Il Mio Viaggio In Italia (My Voyage to Italy) that he saw Roberto Rossellini’s Sicilian episode of Paisa on TV. He also commented on how the French New Wave influenced every filmmaker who has worked since. In 1964, he graduated from the all-boys Cardinal Hayes High School. In 1964, he graduated from Cardinal Hayes High School in the Bronx with a B.S. in Film Communications. After that, he earned his M.A. in 1968 at New York University’s School of the Arts.

Scorsese was a student at the Tisch School for the Arts and made the short films. Scorsese made the short films while attending the Tisch School of the Arts. Title=”It’s not just you, Murray!” “>It’s not just you, Murray! (1964). The darkly comic The Big Shave (1967), featuring Peter Bernuth, is his most well-known short. The film is a condemnation of America’s involvement with Vietnam.  Scorsese mentions that Haig P. Manoogian, a film professor at New York University, was a major inspiration to him.

Scorsese’s first feature-length movie, the black-and-white I Call First, was made in 1967 with fellow students Harvey Keitel, and Thelma Schoonmaker as editor, who would later be renamed Who’s That Knocking At My Door. Both of these women were to become long-term colleagues. This film was intended to be the first of Scorsese’s semiautobiographical J. Scorsese still has his usual stylistic brilliance and visual panache, but many critics feel that the studio-bound environment is lacking in comparison to his earlier films. Some critics have praised the film despite its poor reception. Richard Brody, The New Yorker: Scorsese was a lifelong cinephile and the epitome of New York can be found in Hollywood classics. His backward-looking tributes to the golden age musicals and noirish romantic melancholy melodramas proved to be one his most personal and freewheeling films. Scorsese was a director of The Act, a Broadway musical starring Liza Minnelli in 1977. Scorsese fell into depression after the disappointing reception New York, New York received.

He did manage to find the creative drive and make The Last Waltz, which documented the last concert of The Band. It was held in San Francisco’s Winterland Ballroom on American Thanksgiving Day 19 November 25th 1976. It featured a large number of notable guest performers, including Neil Young, Bob Dylan, Ringo Starr and Muddy Waters. The film was not released due to Scorsese’s commitments for other projects. Scorsese also directed American Boy in 1978. It focused on Steven Prince,

Martin Scorsese phone Number, Email ID, Website
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House address (residence address)Flushing, Queens
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Best Methods to Contact Martin Scorsese  :

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5.  Martin Scorsese Phone Number, House Address, Email

Here we discuss the most common contact methods like the phone number of Martin Scorsese , email address, and his fanmail address.

Martin Scorsese phone number: NA
Martin Scorsese email id: NA

Martin Scorsese Fanmail address: 

Martin Scorsese
The Film Foundation, Inc.
7920 W Sunset Blvd.
6th Floor
Los Angeles, CA 90046-3334

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