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Robert Rodriguez Contact Details:
REAL NAME:Robert Rodriguez
DOB:20 June 1968 (age 53 years)
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: NA
Robert Rodriguez Bio
None were as captivated by the images of John Carpenter’s 1981 sci-fi parable, Escape from New York (1981), as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch movies and exclaim arrogantly, “I can do that.” This young man said something different: “That is something I intend to do. I’m going to make movies.” That day was the impetus for him to pursue his dream job. Robert was the middle child of a family of ten children, born and raised in TexasSan Antonio’s famed Olmos Theatre movie house and treating them to a healthy dose of Hollywood’s “Golden Age” wonders, from Sergio Leone to the silent classics of Charles Chaplin and Buster Keaton. In a short period of time, young Robert discovers the family’s old Super-8 film camera and creates his first films. The genres are limitless: action, sci-fi, horror, drama, and stop-motion animation.
employs props from around the house, settings from around town, and the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological marvel: a VCR, and with it (as a gift from the manufacturer), a video camera. With this new equipment at his disposal, he spends his entire life making movies. He shows the films to his friends, all of whom are desperate to appear in the next one. In the neighbourhood, he becomes known as “the kid who makes movies.” Rather than handing in term papers, he is permitted to hand in “term movies,” as he himself explains, because “[the teachers] knew I’d put more effort into a movie than I ever would into an essay.” He launches his own comic strip, “Los Hooligans.”
His films have won every local film competition and festival. When his low academic grades threaten to keep him out of UT Austin’s renowned film department, he proves his worth the only way he knows how: he makes a film. Three, in fact: a trilogy of short films titled “Austin Stories” starring his siblings. It outperforms the entries of the school’s top students, allowing Robert to enter the programmeIn 2009, he received an honorary degree in communications and his actual degree from the University of Texas, College of Communications.Austin, Texas is where he calls home.Quentin Tarantino and Kevin Smith are close friends of his. Frequently, the three will be among the first to watch and provide feedback on each other’s films.Was approached to direct X-Men (2000), but turned it down in favour of other projects.El Mariachi, a film he directed, was selected for the National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically” significant (1992).Associate member of the American Society of Cinematographers (ASC).
With his “guinea pig” funds, he raises only $7,000 and establishes El Mariachi (1992). Rather than languishing in obscurity, the film makes its way to the Sundance Film Festival, where it becomes an instant favourite, earning Robert a distribution deal with Columbia Pictures and establishing him as an icon among aspiring filmmakers worldwide. Not one to rest on his laurels, he directs the straight-to-cable film Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995). (his will be the most lauded segment). After a two-year hiatus from directing (primarily to spend time with his family, but also to develop storey ideas and decline Hollywood offers), he returned to “Dusk till Dawn” territory with the teen sci-fi/horror film
The Faculty (1998), written by Scream (1996) writer Kevin Williamson. Despite a small fan base, it would turn out to be Robert’s least successful film. Critics and fans alike were critical of the film’s pedestrian script, off-kilter casting, and obvious over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year hiatus, Rodriguez returned to make his most successful (and unexpected) film to date, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action films, no one expected him to write and direct Spy Kids (200 After leaving the Writers Guild of America and being introduced toSpy Kids 3-D: Game Over (2003). The latter would prove to be the most financially successful of the series, employing the long-abandoned movie gimmick of 3-D. His first “real” studio effort quickly earned him the moniker
“John Woo from south of the border.” Desperado is a remake/sequel to “Mariachi” (1995). More lavish and action-packed than its predecessor, the film does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also strengthens the director’s reputation for working with small budgets to achieve big results. In a year when films like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past $100 million, Rodriguez brought in “Desperado” for just under $7 million. Quentin Tarantino, another indie film wunderkind, made a cameo appearance in the film as well. It would be the start of a long friendship between the two, peppered with numerous collaborations. Most notably, Tarantino’s vampire schlockfest From Dusk Till Dawn (1996). The cheesy film (about a pair of criminal brothers on the run from the Texas Rangers who end up in a vampire-infested Mexican bar) became a cult classic.
would prove to be the most financially successful of the series, employing the long-forgotten movie gimmick of 3-D with stunning results. Later that year, Rodriguez’s career came full circle when he finished the final instalment of the storey that catapulted him to fame, “El Mariachi.” The final chapter, Once Upon a Time in Mexico (200DVD releases of his movies always include a do-it-yourself/behind-the-scenes feature called “10-minute Film School”) (although they are rarely actually ten minutes). Beginning with the disc for Once Upon a Time in Mexico (2003), he’s begun including “10-minute Cooking School” to demonstrate how to cook the signature dishes his characters eat. His films are frequently shot in Texas.
Films frequently begin with a scene in which a supporting character is discussing the main character with another supporting character. Desperado, From Dusk Till Dawn, and Once Upon a Time in Mexico are a few examples. Characters are shot in the hand (El Mariachi (1992), From Dusk Till Dawn (1996)). Surreal and outlandish action scenes hat for cowboys Antonio Banderas, Salma Hayek, Cheech Marin, Danny Trejo, Elijah Wood, and Robert Patrick are all frequently used. Known for working and delivering on a shoestring budget (partly by taking on multiple production roles himself in addition to writing and directing).
His most expensive film, Sin City (2005), cost $40 million, while the majority of his films are budgeted at $20 million or less. In his contracts, he also has final cut and final approval of all marketing materials. Rodriguez, a huge fan of John Carpenter’s films, will frequently make references to them in his own. The drug test scene in The Faculty (1998) to determine who is an alien, for example, is a direct reference to the blood test scene in The Thing (1982).Spy Kids was the last of his films to be shot on film (2001). During the film’s post-production at Skywalker Ranch, George Lucas introduced him to 24p HD filmmaking, and Rodriguez was instantly converted.
He owns two Sony HDW-F900 cameras, the same model that George Lucas used on the Star Wars prequels. Was originally chosen to direct John Carter (2012) for Paramount and had begun some preproduction work in early 2004. However, once he left the DGA, he was replaced by Paramount (which only allows DGA members to direct thei Now that he had a choice of films to make, Robert sought out famed comic Rodriguez is able to capture what he wants the first time because he is so invested in his films.
His adult-oriented films are always centred on a fictitious beer called “Cerveza Chango.” Chango is the Orisha (a deity in the Afro-Cuban religion of Santeria, which is a synthesis of African tradition and Catholicism) of fire, lightning, and dance. Chango is well-known for his ability to avenge crimes against the innocent, a recurring theme in Rodriguez films featuring the fictional beer. Since Spy Kids 2: Island of Lost Dreams, he has shot all of his films digitally (2002) In his films, he frequently depicts scorpions. Many of his characters are enigmatic, shady anti-heroes with violent histories. Family, particularly sibling relationships, play an important role in his films. The main characters in Desperado are brothers. In From Dusk Till Dawn, the Gekko Brothers, despite their sociopathic nature, care deeply for one another, and so on. His heroes frequently wear all black. Unlike many action films, his frequently shows the characters reloading their weapons and carrying ammunition at realistic times. Themes, settings, and characters with Hispanic origins Characters who lose body parts (e.g., _El Mariachi (1992)_, Once Upon a Time in Mexico (2003), Planet Terror) (2007).
Elizabeth Rodriguez, Tina Rodriguez, David R. Rodriguez, Rebecca Rodriguez, Patricia Vonne, and Angela Lanza all have him as a brother. Cousin of actor Danny Trejo and lvaro Rodrguez. I attended St. Anthony’s High School. St. Anthony’s University and The University of Texas at Austin are where he studied. He made the majority of the $7000 he needed to make El Mariachi (1992) by subjecting himself to drug experiments. A “speed healer” was one of the experimental drugs tested on Rodriguez. As a result of the removed sample, he has two divots in his arms. In April 1996, she was named one of the “25 Most Powerful Hispanics in Hollywood” by Hispanic Magazine. The Ex-Students’ Association honoured him with the Outstanding Young Texas Award in May 1999. With Elizabeth Avellan, he has five children: sons Rocket Rodriguez, Racer Rodriguez, Rebel Rodriguez, Rogue Rodriguez, and daughter Rhiannon Rodriguez. Premiere’s annual Power 100 List ranked her at #80 in 2003. In 2002, he was ranked 94th.
In his garage, he assembled a symphony orchestra to record the score for Spy Kids 2: Island of Lost Dreams (2002). He wrote two scripts for “Predator 3,” which was later remade as Alien vs. Predator (2004). The first took place on a ship in the 17th century, while the second involved Arnold Schwarzenegger and Danny Glover’s characters being taken as trophies to an alien planet. Refused to direct Kevin Smith’s script for “Superman Lives” (which as of 2004 is not being made in to a feature film, having been replaced with another script). Rodriguez was also approached by Kevin Smith to direct his contentious religious satire Dogma (1999).
Rodriguez declined, claiming that the project was so personal that Smith should do it himself. His production company was originally called “Los Hooligans,” after a comic strip he drew in college, but it is now known as “Troublemaker Studios.”Since 1998, he has owned the film rights to Mike Allred’s comic book “Madman.” Although the film has yet to be produced, Allred is the one who put Rodriguez in touch with Frank Miller, which resulted in the latter’s own comic property becoming the film Sin City (2005). As of 2006, Rodriguez and Allred had gone on record as saying that a screenplay for the “Madman” film (based on an outline by the two of them) had been written by George Huang, with shooting set to begin before the end of the year.
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5. Robert Rodriguez Phone Number, House Address, Email
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Robert Rodriguez Phone number: NA
Robert Rodriguez Email id: NA
Robert Rodriguez Fanmail address:
4900 Old Manor Rd
Austin, TX 78723