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Xavier Dolan Phone Number, Fanmail Address and Contact Details

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Xavier Dolan Contact Details:

REAL NAME: Xavier Dolan
NICKNAME: Xavier Dolan
DOB: 20 March 1989
BIRTHPLACE: Montreal, Canada
NATIONALITY: Canadian
BIRTH SIGN: Pisces
PROFESSION: Filmmaker
FATHER: Not Known
MOTHER: Not Known
SIBLINGS: NA
SPOUSE / WIFE: NA
CHILDREN: NA
INSTAGRAM: https://www.instagram.com/xavierdolan/
TWITTER: NA
FACEBOOK: https://www.facebook.com/profile.php?id=100044519976067
YOUTUBE CHANNEL: NA


Xavier Dolan Bio

He was raised in Montreal, the capital city of Quebec. Father: Manuel Tadros (Egyptian-born Coptic Canadian actor and singer of Lebanese origin). Mother: Geneviève Dolan (Québécois teacher). I Killed My Mother, Dolan’s debut feature, was semi-autobiographical despite the director being out as gay. At the age of 19, Dolan made his directorial debut with I Killed My Mother, which he wrote, directed, produced, and starred in, using the money he earned as a child actor to support the project.

A 16-year-old version of him is said to have started composing the script. According to an interview with Le Soleil, he indicated that the picture was largely based on his own experiences. At first, the picture was self-funded, but when further funds became necessary, Dolan approached Telefilm and the SODEC for assistance. Because of their individual reasons, each rejected him. In order for SODEC to fund Dolan’s idea, they pushed him to resubmit it to the “indie” department instead of the “commercial” department. He received a $400,000 grant from SODEC in December 2008. The total cost of the film was approximately $800,000 CAD.

Quebec’s “creative assets” are being held hostage by an “outdated finance model,” according to Dolan. The Toronto International Film Festival in 2009. Art Cinema Award, SACD Prize for writing, and Prix Regards Jeunes were all given to the film at the Cannes Film Festival’s Director’s Fortnight program in 2009 where it got an eight-minute standing ovation. An “upset” victory against Denis Villeneuve’s Polytechnique (2009) earned it a Lumière Award and four Jutra Awards, including Best Screenplay, Best Film, and Most Successful Film Outside Québec.


Dolan later claimed that the film was “flawed” and Peter Brunette of The Hollywood Reporter described it as “a rather uneven film that exhibits a great deal of creativity”. It also received praise from Allan Hunter of Screen International, who termed it “funny and brazen” and “shrewdly observed truth” throughout the picture.

It won the Claude Jutra Award (now known as the Canadian Screen Award for Best First Feature) at Genies, and the Toronto Film Critics Association awarded Dolan the first $5,000 Jay Scott Prize for rising talent. Despite being selected as Canada’s official entry for Best Foreign Language Film at the 2010 Academy Awards, I Killed My Mother did not receive a nomination.

The Toronto International Film Festival named it one of Canada’s Top Ten Films of the year. In the end, more than 20 countries purchased distribution rights. Once released, the picture did not do well at the box office in the United States because of legal issues faced by its distributor, Regent Entertainment, which delayed its distribution until 2013.

Heartbeats (Les Amours imaginaires), Dolan’s second feature-length film, was privately funded. During the course of the film, the connection between two friends is strained due to their mutual attraction to a strange young man. It premiered at the Cannes Film Festival in May 2010 in the Un Certain Regard section and garnered a standing ovation. Although it received the top prize in the Official Competition at the Sydney Film Festival in June, it was unable to attract an audience in nations where French is not the primary language of communication.

There were numerous Genie nominations, as well as a Best Film award from the AQCC (Québec association of film critics). This year, Laurence Anyways was selected to compete in the Cannes Film Festival’s Un Certain Regard section. An award for Best Actress was given to Suzanne Clément in the film. Critics mostly praised or gave it a favorable review. An MTV reviewer who specializes in LGBT films named the movie “the best of the year.” It wasn’t until a year later that the film was finally released to the general public.

In Canada, where the picture was released, it barely made about $500,000 at the box office. At the Cannes Film Festival in 2014, Dolan Michel Marc Bouchard’s “Tom at the Farm” (Tom à la ferme) will be Dolan’s fourth picture, the director confirmed in May of that year. At the 70th Venice International Film Festival, it had its global premiere on September 2, 2013, and earned the FIPRESCI prize. In 2013, Tom at the Farm toured the festival circuit but was not published in the United States until 2015.


Since his films were released in an “awkward, irregular form, all by separate distributors,” Dolan claims that “no one knows me in the United States.” However, I don’t want to sound pretentious. It’s Only the End of the World, an adaptation of Jean-Luc Lagarce’s play Juste la fin du monde, was Dolan’s next film. Marion Cotillard, Gaspard Ulliel, Vincent Cassel, Léa Seydoux, and Nathalie Baye feature in this drama film from director François Ozon. Late in the month of May of this year, filming got underway. The film was nominated for the Palme d’Or at the Cannes Film Festival in 2016 but did not win.

Vanity Fair called the picture “the most disappointing film at Cannes” when it opened at the festival, and crowds and critics were divided. Reporters from the Hollywood Reporter and Variety described it as “a frigid and utterly unsatisfactory” film, respectively.

At the festival, Dolan addressed the media’s criticism of his film, which he viewed as unfair. Film critics, including The Guardian, hailed it as a “brilliant, stylized and hallucinogenic portrayal of family dysfunction” as well. Both the Grand Prix and the Ecumenical Jury Prize went to the film. In addition, it was screened at the Sydney Film Festival in June 2016 and the Toronto International Film Festival in September 2016.

On the 21st of September, it was made available in Quebec and France. It’s Only the End of the World opened to 1,034,477 ticket sales in France on 391 screens, where it debuted at the top of the box office. It was selected as Canada’s submission for the Best Foreign Language Film award at the 2017 Oscars.

After being nominated for Best Foreign Language Film at the 89th Academy Awards in January 2017, it was removed from the shortlist in December 2016. The Toronto International Picture Festival’s annual Canada’s Top 10 list included the film on Dec. 7, 2016. AlloCiné, the French cinema website, gave the picture an average rating of 3.3/5, based on 44 reviews, which indicates “generally positive reviews”.

A normalized Metacritic score of 48, based on 11 reviews, indicates “mixed or average reviews,” which is what the site’s system assigns to reviews from mainstream critics. For his work on It’s Only the End of the World, Dolan took home the 42nd annual César Awards for Best Director and Best Editing on February 24th, 2017. Dolan also received three Canadian Screen Awards for Best Motion Picture, Best Achievement in Direction, and Best Adapted Screenplay for his work on the picture.


Dolan co-wrote the screenplay with Jacob Tierney. John F. Donovan (Kit Harington) is a Hollywood actor whose private communication with an 11-year-old British admirer is exposed by a gossip columnist (Jessica Chastain). Kathy Bates plays Donovan’s manager while Susan Sarandon portrays Donovan’s mother. Chastain had been deleted from the picture and the story was reworked during post-production, Dolan revealed on Instagram back in February 2018.

At the 2018 Toronto International Picture Festival, the film made its international premiere, marking it Dolan’s first appearance at the festival. It was widely panned by critics following its debut at the festival. “The worst” of Dolan’s career, according to Indiewire. The film received a “dubious mess” rating from The Guardian, which gave it a single star. The film was deemed “mediocre at best” by Now magazine.

While the picture “may rehash a lot of familiar material for Dolan, yet on this form, it is fantastic to welcome him home,” Screen International noted in a more favorable review. Matthews & Maxime was Dolan’s seventh feature film. In the film, Gabriel D’Almeida Freitas plays Matthias, an old high school pal of Maxime’s, who is questioned about her sexuality after a short film she starred in called for them to kiss each other, causing both of them to rethink their sexuality and the nature of their friendship.

At the Cannes Film Festival, it had its global debut on May 22, 2019. [64] Films Séville, the distributor, opened the theatrical run on October 9th, 2019. Mubi will distribute the picture in the United States, United Kingdom, Ireland, Australia, Latin America, and India in May 2020. The film was included in TIFF’s annual Canada’s Top Ten list in December 2019. Best Supporting Actor Funk and Best Editing Dolan were nominated for seven categories at the 22A Quebec Cinema Awards.

Bernard won for Best Supporting Actress, Jean-Michel Blais won for Best Music, and the film was named the most popular outside of Quebec. In 2015, Dolan was chosen to sit on the Cannes Film Festival’s main competition jury. “Hello,” the lead single from 25 by Adele, was directed by him in the same year. More than 27.7 million people viewed the video in the first 24 hours, setting a new Vevo record. In addition to the IMAX filming, the video featured other noteworthy elements.

A Juno Award for Best Video of the Year went to Dolan for his work on the video. As Buddy Sunday, the British-accented music producer in Bad Times at the El Royale, Dolan appeared at the 2018 Toronto International Film Festival in Boy Erased, alongside Lucas Hedges and Troye Sivan. In September 2019, he appeared in the sequel to the horror film It: Chapter Two. A Xavier Giannoli film adaptation of Honoré de Balzac’s Lost Illusions will include him next. The Night Logan Woke Up, Dolan’s debut TV drama, will wrap production in December 2021, he announced through Instagram.

When asked about a favorite director, Dolan named Michael Haneke, noting the director’s precise camerawork and great writing in his 2009 film Funny Games and The Piano Teacher as examples of films that have affected him. Dolan cited Jane Campion’s The Piano as a big source of influence while speaking at the 2014 Cannes Film Festival. His desire to pursue a career in film was also influenced by viewing Titanic as a child. The frog rain scene at the end of Magnolia and My Own Private Idaho have both been recognized as influences by him in I Killed My Mother.

Xavier Dolan

phone Number, Email ID, Website
Phone Number(514) 598-5252
House address (residence address)Agence Goodwin
839 East, Sherbrooke St
Suite 200
Montreal, QC H2L 1K6
Canada
Official WebsiteNA
Snapchat IdNA
Whatsapp No.NA
SpotifyNA
TicTok IdNA
Email AddressNA
Office addressNA
Office NumberNA
Instagram https://www.instagram.com/xavierdolan/
Facebook https://www.facebook.com/profile.php?id=100044519976067
Twitter NA

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5. Xavier Dolan Phone Number, House Address, Email

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Phone number: (514) 598-5252
Email id: NA


Xavier Dolan Fanmail address: 

Xavier Dolan
Agence Goodwin
839 East, Sherbrooke St
Suite 200
Montreal, QC H2L 1K6
Canada

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Categories: film maker
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