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If you want to know about Hans Zimmer’s real phone number and also looking for Hans Zimmer’s email and fanmail address then, you are at the correct place! We are going to give you the contact information of Hans Zimmer like his phone number, email address, and Fanmail address details.

Hans Zimmer Contact Details:

REAL NAME:Hans Zimmer
NICKNAME: Hans Zimmer
DOB:12 September 1957
BIRTHPLACE: Frankfurt
NATIONALITY: American
BIRTH SIGN:Virgo
PROFESSION: German film score composer
FATHER: Hans J. Zimmer
MOTHER: Brigitte Zimmer
SIBLINGS: NA
SPOUSE / WIFE: Vicki Carolin
CHILDREN: 3
INSTAGRAM:https://www.instagram.com/hanszimmer/
TWITTER:https://twitter.com/HansZimmer
FACEBOOK:https://www.facebook.com/hanszimmer
YOUTUBE CHANNEL:https://www.youtube.com/channel/UCJeBQabyLa_FvMxb6G67lkw


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Hans Zimmer Bio

Hans Zimmer, a German-born composer, is regarded as one of Hollywood’s most inventive musical talents. He appeared in The Buggles’ music video for “Video Killed the Radio Star,” which became a worldwide hit and helped usher in a new age of global entertainment as the first music video to be broadcast on MTV (August 1, 1981). Hans Florian Zimmer was the son of Brigitte (Weil) and Hans Joachim Zimmer and was born in Frankfurt am Main, then West Germany.

He began his career in cinema music in London, where he worked with renowned composer and mentor Stanley Myers on a number of projects, including the film My Beautiful Laundrette (1985). Zimmer went on to work on several successful solo projects, notably the highly acclaimed A World Apart, and he pioneered the use of old and new musical technologies at this time. His work has earned him the title of “Father of Integrating Electronic Musical Worlds with Traditional Orchestral Arrangements” as a result of his efforts. When Zimmer was invited to soundtrack Rain Man for director Barry Levinson in 1988, it was a watershed moment in his career

Hans Zimmer phonenumber

Zimmer was eager to repeat the mentoring experience he had gained from under Stanley Myers’ tutelage now that his career was well underway. Zimmer’s Santa Monica-based musical “think tank” was able to give film-scoring opportunities to budding composers thanks to cutting-edge technology and a welcoming creative environment. Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt are just a few of the renowned composers who have benefited from this method.


Zimmer received an Oscar nomination, as well as Golden Globe and Broadcast Film Critics Award nominations, for his epic score for Gladiator (2000) in 2000. It was followed by Gladiator: More Music From The Motion Picture, which was released on the Universal Classics/Decca label and sold over three million copies worldwide. Mission: Impossible II (2000), The Road to El Dorado (2000), and An Everlasting Piece (2000), all directed by Barry Levinson, were among Zimmer’s other films that year. Boys (2001), and A League of Their Own (1992), Tony Scott’s True Romance (1993), Tears of the Sun (2003), Ron Howard’s Backdraft (1991), Days of Thunder (1991), Tony Scott’s True Romance

Zimmer delivered newly arranged concert versions of Gladiator, Mission: Impossible II (2000), Rain Man (1988), The Lion King (1994), and The Thin Red Line (1994) from his amazing corpus of work (1998). Decca recorded the concert and released “The Wings Of A Film: The Music Of Hans Zimmer” as a concept album. Zimmer completed his 100th film score last year for Tom Cruise’s The Last Samurai, for which he was nominated for a Golden Globe and a Broadcast Film Critics Award. Zimmer then composed the soundtracks for Nancy Meyers’ comedy Something’s Gotta Give (2003),

Dreamworks’ animated film Shark Tale (.004) (starring Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and Jim Brooks’ Spanglish (2004), which starred Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). The Weather Man (2005), starring Nicolas Cage, Dreamworks’ Madagascar (2005), and Warner Bros.’ Batman Begins (2005) are among his 2005 efforts (2005). Zimmer’s other distinctions and awards include the National Board of Review’s renowned Lifetime Achievement Award in Film Composition and the Palm Springs International Film Festival’s Frederick Loewe Award in 2003.

He’s also the recipient of the ASCAP Henry Mancini Lifetime Achievement Award. Hans is the father of four children and lives in Los Angeles with his wife. In 1996, the Academy Award for Best Original Musical or Comedy Score was founded, however, it was already retired in 1999. Zimmer was nominated for the prize three times during its four-year run, tying him with Randy Newman and Marc Shaiman. Quotes from People You Know (22) I’m surrounded by computers, keyboards, and synthesizers, and I’m rattling up with something that I loved in the end. We worked on The Lion King for four years, but I didn’t start experimenting with the script until the last d Line’s final edit (1998) What was used was frequently sampled and combined with additional music chosen by Malick to produce a complex piece that is frequently wrongly attributed to Zimmer.

 

Jay Rifkin, Hans’ long-time business partner, sued him for $10 million for scheming to seize business for himself. Media Ventures renamed itself Remote Control as a result of the case. [Dec. 2003] Gladiator’s (2000) film music album went on to become one of the best-selling film scores of all time. His 100th score was for The Last Samurai (2003). Ennio Morricone’s The Mission served as inspiration for this piece (1986). In trailers and other media, his renowned theme “Journey to the Line” from The Thin Red Line (1998) is frequently heard.

Trial and error gave birth to this motif. The Thin Red Line (1998) director Terrence Malick was displeased with Zimmer’s work and asked him constantly rearrange tunes and come up with new ideas. “Journey to the Line” was born as a result of this process. Many of his later works bear an uncanny resemblance to the Thin Red Line’s iconic motif. He composed the music for a Maybach commercial that lasted 4 minutes. John Carpenter’s Assault on Precinct 13 (1976) features his favorite movie tune of all time. Crimson Tide (1995) is seen as a watershed moment in both his career and the scoring business by fans and industry insiders in the cinema music industry.

The Grammy-winning score, which has since been heard in trailers, was a break from the norm, employing digital synthesizers, electronic keyboards, and cutting-edge computer technology to create a stirring tune with traditional orchestral arrangements. He was picked for the film Laura’s Star (2004) because he stated in an interview that he believes German producers overlooked him because he composed for a German-language film. After reading the interview, one of the producers approached him and offered him the part in the film. He learned everything he knows through collaboration and experimentation while being entirely self-taught. Because it is how he learned, he promotes composer collaboration. Working with him on various scores, whether conducting, creating additional music, or even co-composing, has taught every composer who has come out of Media Ventures something new.


Following their departure from Media Ventures, composers such as Harry Gregson-Williams, John Powell, Mark Mancina, Klaus Badelt, and Steve Jablonsky have gone solo. In an interview, he stated that after The Dark Knight (2008), he would retire for a few years, claiming that he had been fatigued in recent years. He also stated that he would be willing to assist young composers by producing their compositions. His long-term goals include performing concerts around the world with his own songs. In 1998, Elton John, Tim Rice, Lebo M., Mark Mancina, Jay Rifkin, and Julie Taymor were nominated for a Tony Award for Original Musical Score for their work on the musical adaptation of The Lion King (1994). In 2006, the International Film Music Critics Association named him Film Composer of the Year (IFMCA). The Daily Telegraph named him one of the “Top 100 Living Geniuses” (2007).

Zimmer established his reputation as a preeminent talent with the award-winning score for The Lion King in the early 1990s, having already scored two Best Picture victories (1994). He won an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony Award, and two Grammy Awards for the soundtrack, which has sold over 15 million copies worldwide. Rain Man (1988), Gladiator (2000), The Lion King (1994), As Good as It Gets (1997), The Preacher’s Wife (1996), The Thin Red Line (1998), The Prince of Egypt (1998), and The Last Samurai (1998) have all earned Zimmer nominations for Golden Globes, Grammys, and Oscars (2003).

In The Lion King (1994), tribal chanting, guitar with vocals in Gladiator (2000), and ukulele in Pearl Harbor, the music incorporates elements from the characters’ cultures (2001) Synths, actual instruments, and soloists are seamlessly blended. Cello and acoustic/electric guitar are frequently used in solo performances. DreamWorks Animation is a client of his on a regular basis. Ridley Scott, Gore Verbinski, Ron Howard, and Christopher Nolan are just a few of the directors with whom he frequently collaborates.

He is well-known for his frequent use of a “Bwaum,” in which a crucial story detail is disclosed, and the music blasts out a single note loudly. The ‘Shepard Tone’ is frequently used to add tension. This is an auditory illusion in which a note appears to be rising in pitch at all times. a fact (26) In German, the surname means room.’ Co-founder (with Jay Rifkin) of the Santa Monica-based music studio Media Ventures (now Remote Control), which has housed composers such as Mark Mancina, Harry Gregson-Williams, Rupert Gregson-Williams, Nick Glennie-Smith, JohnFigures (2016), and Dunkirk (2016) are among the ten films for which he composed the music score (2017). Rain Man (1988), Driving Miss Daisy (1989), Gladiator (2000), and 12 Years a Slave (2013) are the category’s winners.

He is the son of Brigitte (Weil) and Hans Joachim Zimmer, who founded the Zimmer AG Frankfurt am Main textile industry. Brigitte, his mother, fled Nazi Germany in the 1930s as a Jewish refugee, and spent the war years in England. He is the only composer who has composed music for two separate directors’ Batman films. He is the only composer who has composed soundtracks for Batman and Superman films. He’s created and written music for all three of DC Comics’ superheroes: Batman, Superman, and Wonder Woman. He has five children: one daughter, Zoe, with his ex-wife Vicki Carolin; sons Jake and Max, and daughters Brigitte and Anabelle, with his current wife Suzanne Zimmer; and sons Jake

Hans Zimmer phone number , Email ID, Website 
Phone Number
House address (residence address)Frankfurt
Official WebsiteNA
Snapchat IdNA
Whatsapp No.NA
Instagram https://www.instagram.com/hanszimmer/
Facebook https://www.facebook.com/hanszimmer
TwitchNA
Twitter https://twitter.com/HansZimmer
TicTok IdNA
Email AddressNA
Office addressNA
Office NumberNA



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5. Hans Zimmer Phone Number, House Address, Email

Here we discuss the most common contact methods like the phone number of Hans Zimmer, email address, and his fanmail address.

Hans Zimmer  Phone number: NA
Hans Zimmer Email id: NA


Hans Zimmer  Fanmail address: 

Melissa Etheridge
Primary Wave Entertainment
10850 Wilshire Blvd.
Suite 600
Los Angeles, CA 90024-4319
USA

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