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Ray Fisher Contact Details:
REAL NAME: Ray Fisher
NICKNAME: Ray Fisher
DOB: 8 September 1987
BIRTHPLACE: Baltimore, Maryland, United States
BIRTH SIGN: Virgo
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: NA
YOUTUBE CHANNEL: NA
Ray Fisher Bio
Fisher grew up in Lawnside, New Jersey, with his mother and grandmother. He went to Haddon Heights High. His high school English and history teachers introduced him to musical theatre. His first stage appearances were in Into the Woods and Guys and Dolls. Fisher studied at the AMEDA. Robert Downey Jr. is an American actor who is best known for playing Victor Stone / Cyborg in the DC Extended Universe film franchise. In the third season of True Detective, he played detective Henry Hays. Fisher featured in To Kill a Mockingbird with the Shakespeare Theatre of New Jersey. He also appeared in King Lear and Cymbeline at the Oregon Shakespeare Festival.
In 2013, he portrayed Muhammad Ali in the New York Theatre Workshop’s off-Broadway production of Fetch Clay, Make Man, growing 20 pounds of muscle and moving from 193 to 212 pounds. He “had to lift — bench presses, curls, squats, calf raises” and “get acclimated to a new body” to prepare for the job. Fisher appeared as Victor Stone / Cyborg in Batman v Superman: Dawn of Justice (2016). He was the first black superhero in the DC Extended Universe. He starred in the ensemble film Justice League (2017), which received mixed reviews and a disappointing box office. At the time of production, Fisher accused director Joss Whedon of being “abusive and unprofessional.”
In December 2020, he declared that he “would not engage in any project linked with Hamada”. Fisher revealed in January 2021 that he was pulled from the film The Flash owing to Hamada’s involvement. He played Cyborg again in Zack Snyder’s Justice League 2021 director’s cut. Fisher helped shoot new footage for the October 2020 cut. Fisher’s complex and colorful portrayal was praised by IGN’s Tom Jorgensen and Alex Abad-Santos of Vox’s “combination of wrath and tenderness.”
Fisher featured in the third season of True Detective, which premiered on HBO in 2019. In the ABC miniseries Women of the Movement, he plays Gene Mobley, Mamie Till-husband. So far, he has used social media and interviews to accuse Warner Bros. of racism and a cover-up. After Zack Snyder was replaced by Joss Whedon as director, Fisher, who plays Cyborg in the film, is ready to discuss what happened on set in 2017. His latest focus has been on how executives at Warner Bros. and its parent company, WarnerMedia, handled complaints made by him and others. WarnerMedia has already stated that “corrective action” was taken but has not explained. Per THR, “our policy is not to publicly reveal the findings or outcomes of an investigation” for privacy and legal concerns.
In interviews with over 80 witnesses, former federal judge Katherine Forrest said she found “no serious support for charges of racial animus” or “insensitivity.” In response to Mr. Fisher’s worries about the inquiry, WarnerMedia stated that it has “complete trust in the investigation process and [Forrest’s] conclusions.” Fisher grew up in Lawnside, New Jersey, the first self-governing Black municipality north of the Mason-Dixon Line. He claims he felt compelled to speak out after the pandemic and the Black Lives Matter protests. Playing Cyborg, the first Black superhero in the DC film world, was both a career break and a significant responsibility for Fisher, who had few screen credits. (Justice League came out in 2017, before Black Panther.)
He was aware that the picture was virtually completely produced by white people. While Fisher has identified names and given facts, outsiders have struggled to comprehend Whedon’s rage. Did Fisher truly refuse to cooperate with an investigation prompted by his own allegations, as Warners started in September? How far was Fisher willing to go to save his career in the DC picture universe? Fisher now offers his side after many hours of talk. He says he was reluctant to tell the account because he didn’t want to reveal the identities of people who helped him and investigators. “I don’t want any witnesses fired,” he says.
Among them are Gal Gadot and Jason Momoa, who don’t appear to be worried about their jobs. Unrelated parties also spoke to Fisher and the investigators about their interactions with Whedon and Geoff Johns, co-chairman of DC Films and producer on the picture. Among them is Charisma Carpenter, who recently accused Whedon of being violent on Buffy the Vampire Slayer, and others who worked with Johnson Syfy’s Krypton.
Fisher prompted Warners to launch an investigation two years after the film’s initial release. But he instantly suspected the method. He claims the studio and its parent business were sheltering top executives. When he felt compelled to increase his public protests, the studio responded with what Fisher believes an intentional slander. Warners claims it has addressed Fisher’s concerns. He demands an apology. Fisher accused director Joss Whedon of inappropriate behavior on the Justice League set in June 2020.
In May 2017, Fisher was walking into a movie in New York when he got a call from Zack Snyder, citing his daughter’s suicide. Sources believe Snyder was under a lot of pressure. Due to the poor reception and box office success of his previous film, Batman v. Superman, the studio demanded a lighter touch with Justice League footage previously shot. Warners also requested a two-hour cut, which Snyder struggled to fulfill. After Snyder left, Whedon, who had written and directed Marvel’s The Avengers, was called in to help lighten the tone of Justice League. Fisher’s Justice League was a long cry from Whedon’s final film. Fisher spoke with screenwriter Chris Terrio before a script was written. “Cyborg’s tale has always been the centerpiece of the film,” Terrio tells THR.
Character arc: He starts off in misery and ends up feeling “complete and loved.” “With a white writer and white director, we both believed having the perspective of an actor of color was incredibly important,” Terrio says. And Ray is a great storyteller and character creator, so he joined us in developing Victor. When Whedon re-started filming, Fisher felt compelled to “explain some of the most fundamental principles of what would be hurtful to the Black community.” Fisher traveled from New Jersey to Los Angeles to meet with Whedon after his reps learned of his plans to revise the film. Whedon “was tiptoeing around the reality that everything was changing” when they met at a bar.
A rewritten screenplay was delivered to Fisher as he exited the conference. We don’t see that.” It became evident that Whedon only wanted praise after sending out an email asking for questions, comments, or queries. Fisher replied, jokingly, saying he grieved the loss of the Cyborg stuff but was moving on. He mentioned he had notes to avoid character representation concerns. Fisher claims he just hardly started talking when Whedon cut him off. The actor stated he felt like he was taking notes from Robert Downey Jr.
Other project sources indicate Whedon dismissed Gadot and Momoa’s concerns about additional lines. Whedon declined to comment. Fisher went to Johns, who he believes acted as a sort of mediator. “We can’t make Joss mad,” Fisher recalls he said. To be most receptive, Johns “remembers recommending that any creative proposals should arise when Joss Whedon was not preoccupied,” according to publicist Howard Bragman. When Whedon became involved, Johns told Fisher that Cyborg only smiled twice in the movie.
Fisher claims a witness told him Johns and other execs, including DC Films co-chairman Jon Berg and Warners studio boss Toby Emmerich, discussed how they couldn’t have “an angry Black man” in the film. It was only until the studio chairman demanded a lighter tone did Johns’ rep begin discussing “bringing joy and hopefulness to all six superheroes”. There is often talk about avoiding racial, gender, and sexual stereotypes.”
Justice League stars join Warner Bros. executives during the Dolby Theatre premiere in November 2017. Johns urged Fisher to play the character more like Quasimodo than Frankenstein. Fisher claims Johns dipped his shoulder in a subservient posture to illustrate the desired look. There was a tremendous difference between portraying a character born disabled and one altered by adversity, according to Fisher. And Cyborg was a modern-day Frankenstein, he said.
Geoff used a fictitious character as an example of a likable man who is sad and wants to hide from the world, but whom the audience support because he has a brave heart. To Fisher, writing a comic book character was one thing, but portraying that persona onscreen was another. The only Black individual having any type of creative impact on the project, according to Fisher, was ignored. Fisher says Johns refused. “That was Geoff Johns and I’s last creative talk. “I was alone,” Fisher says. As a comic book author, Johns “had converted historically all-white DC properties like Shazam, Justice Society of America and others into diverse groups of heroes,” according to his spokeswoman.
“I absolutely feel with Ray that his character development… was dramatically altered and shortened,” says Justice League producer Charles Roven. I’ve known Geoff for many years and find him to be kind and humble. Geoff put Cyborg in the Justice League comics and has written more about him than anybody else besides the creator. He adores Cyborg.” These conflicts arose during a tough period at the studio.
The $85 billion AT&T acquisition of Time Warner, announced in October 2016, was still pending. Justice League was a $300 million gamble that went sour. Warners had not been able to match Disney’s Marvel movie boom. Fisher said some studio executives made decisions out of fear of losing their jobs. The problem of Cyborg saying “booyah” heightened the tension. The character never said that in the comics or in the original script, but it became a trademark of the animated Teen Titans series. Fisher says Johns asked Snyder about using the line, but the filmmaker refused.
phone Number, Email ID, Website
|House address (residence address)||Brookside Artist Management
250 West 57th Street
New York, NY 10107
|Phone Number||(212) 489-4929|
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Phone number: (212) 489-4929
Email id: NA
Ray Fisher Fanmail address:
Brookside Artist Management
250 West 57th Street
New York, NY 10107