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Spike Lee Contact Details:
REAL NAME: Spike Lee
NICKNAME: Spike Lee
DOB:20 March 1957 (age 64 years
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: Tonya Lewis Lee
Spike Lee Bio
He moved from pre-civil rights Georgia to Brooklyn, New York, at a very young age. Lee comes from an artistic and educational family; his father was a jazz musician, and his mother was a teacher. He frequently incorporates African Americans and African-American themes into his films. “A Spike Lee Joint” films Characters frequently address the camera directly. Frequently uses dollies to create a gliding or rotating effect against the shot’s background. His films frequently include the phrase “Wake Up!” as a call to maturity and social conscience. Baseball is a recurring theme in each of his narrative feature films. Denzel Washington and Michael Imperioli are frequently cast in the film. Frequently employs what he refers to as the “double dolly” technique. This is where the camera and subject are pushed through the scene on a dolly. This gives the subject the appearance of floating or gliding. Frequently dressed entirely in New York Knicks apparel, including while directing Trivia (44) Cousin of Malcolm D. Lee. I am a huge New York Knicks fan:
All games are played with courtside seating. He is partially to blame for the “discoloured” baseball caps, as he began wearing a red Yankees cap during the 1996 World Series. 40 Acres & A Mule Filmworks is his production company. Bill Lee’s son. Joie Lee, Cinqué Lee, and David Lee are his siblings. Spike stated following the Columbine high school shootings that President of the National Rifle Association Charlton Heston should be shot. Heston responded that if Spike desired to take a shot at him, he should do so. Lee later issued an apology for the remarks. Serves as a master teacher of film at Harvard University and the Tisch School of the Arts. In 1982, he earned a bachelor’s degree in art from New York University’s Tisch School of the Arts. In 1979, he earned a bachelor’s degree from Morehouse College in Atlanta, Georgia.n 1979, following his graduation from Morehouse, he interned for the summer at Columbia Pictures before enrolling in NYU’s film school. On the Waterfront is his favourite film of all time (1954). Is the first (and, thus far, only) recipient of a Student Academy Award, an Honorary Academy Award, and a regular competitive Academy Award. Quotes from Life (29)
I’ve been given the opportunity to speak for black people who lack access to power and the media. I need to seize this opportunity while I am still financially viable. How are my characters different from those in Hollywood? My photographs are authentic. Making films has to be one of the most difficult endeavours humankind has ever undertaken. Directly up and down, film work is a slog. [following the 1989 Cannes Film Festival, when Do the Right Thing (1989) lost the Palme d’Or to Sex, Lies, and Videotape (1989)] Wim Wenders had better keep an eye on himself, because I’m on the lookout for his arse. I have a Louisville Slugger bat with Wenders’ name on it that I have hidden away in the back of my closet. “I have a great deal of respect for the intelligence of my audience, which is why I avoid the lowest common denominator.” — at the New York premiere of “Bamboozled,” his media satire.
Agents will not get you anywhere if you do not already have a presence. You simply need to get along with the actors and work things out in advance. She Hate Me is an excellent example; I had numerous conversations with numerous women, as well as with [actor] Anthony Mackie, so they were aware. And this was before they agreed to participate in the film at all. However, actors are curious – ‘It states here that they make love. What are the types of acts in question? What will be witnessed?’ That is not an issue for me. At the same time, I’d like to maintain some latitude for myself. However, filming a sex scene is a very mechanical process – ‘Will you move in this direction?’ How is that? ‘Would you like to extend your leg?’ And, for the most part, the crew is not permitted on set – I close it down and make it as comfortable as possible. For me, a significant portion of Jungle Fever (1991) is about sexual mythology: the mythology of the white woman as the universal standard of beauty and the mythology of the black man as sexual stud with a ten-foot dick. Buying into mythology does not make for a strong relationship foundation.
He and his wife, Tonyahis mother, a schoolteacher, have two children. He attended Morehouse College in Atlanta and Clark Atlanta University, where he honed his filmmaking skills. Lee attended the Tisch School of Arts’ graduate film programme after graduating from Morehouse. He made a contentious short film, The Answer (1980), a ten-minute reworking of D.W. Griffith’s The Birth of a Nation (1915). Lee later produced Joe’s Bed-Stuy Barbershop: We Cut Heads (1983), which won a student Academy Award. Spike Lee directed the comedy She’s Gotta Have It (1986) in 1986. The film cost $175,000 to produce and grossed $7 million at the box office, catapulting his career and enabling him to found his own production company, 40 Acres and a Mule Filmworks.
His next film, School Daze (1988), was set in a historically black high school and focused primarily on the conflict between the school and the fraternities, of which he was an outspoken critic, portraying them as materialistic, irresponsible, and callous. Lee used the profits from School Daze (1988) to make his landmark film, Do the Right Thing (1989), which was based on his own neighbourhood in Brooklyn, New York. The film depicted the racial tensions that erupt in Brooklyn’s Bed-Stuy neighbourhood on a particularly hot day. The film earned Danny Aiello an Oscar nomination for supporting actor and sparked a debate about race relations.
Lee later produced and directed the jazz biopic Mo’ Better Blues (1990), the first of several Spike Lee films to star Denzel Washington, including the 1992 biography Malcolm X, in which Washington portrayed the civil rights leader. The film was a success, earning Washington an Academy Award nomination. The pair collaborated again on He Got Game (1998), a documentary about the darker side of college athletic recruiting, as well as the 2006 film Inside Man (2006). Spike Lee’s role as a documentarian has evolved over the years, beginning with his involvement in Lumière and Company (1995), the Oscar-nominated 4 Little Girls (1997), his Peabody Award-winning biographical adaptation of Black Panther leader Huey P. Newton in A Huey P. Newton Story (2001), and continuing with his 2005 Emmy Award-winning examination of post-Katrina New Orleans in When the Levees Broke: A Requiem in Four Acts (2010). Lee continues toHis grandmother, Zimmie Shelton, a 1929 graduate of Spelman College, enrolled him at Morehouse College, a historically black all-male institution affiliated with all-female Spelman.
Zimmie Shelton, his grandmother, assisted him in financing his first feature film, She’s Gotta Have It (1986). He frequently collaborates with producer/director Monty Ross, with whom he attended Morehouse College in Atlanta, Georgia, USA. Lee attempted to make a feature called “Messenger” between the production of his award-winning student short, Joe’s Bed-Stuy Barbershop: We Cut Heads (1983), and his debut feature, She’s Gotta Have It (1986). Although more than $100,000 was raised, the film was never made.
His production company’s name, “40 Acres and a Mule Filmworks,” was inspired by an unfulfilled promise made by several politicians to freed slaves following the Civil War. In the early 1990s, he served as a Visiting Lecturer at Harvard University, where he taught Afro-American Studies and Visual and Environmental Studies. Is now the Artistic Director of the graduate division of New York University’s Tisch School of the Arts’ Kanbar Institute of Film and Television. Lee will serve as an advisor to third-year students, teaching and advising them, as well as assistindefilms and projects for major studios through his production companies 40 Acres and
A Mule Filmworks, as well as working on storey development, developing an internship programme for aspiring filmmakers, releasing music, and engaging in community outreach and support. Tonya Lewis Lee is his wife, and they have two sons, Satchel and Jackson. Danny Aiello, Denzel Washington, and Adam Driver were all nominated for Oscars for their performances. Mentioned in Jonathan Larson’s musical Rent, in the song “Light My Candle.” Additionally, he was considered to direct the film adaptation of Rent before Chris Colubus was chosen. Preparations for a sequel to “When the Levees Broke” [January 2010] Ended up endorsing Bernie Sanders in the 2016 United States presidential election.
By Entertainment Weekly, he was ranked 48th Greatest Director of All Time. Frequently casts members of his own family in his films. He cast Ossie Davis and Ruby Dee (real-life husband and wife) in Do the Right Thing (1989), himself and Joie Lee (real-life siblings) in Do the Right Thing (1989), and Danny Aiello and Rick Aiello in Do the Right Thing (1989). (real-life father and son). Among the other films in which he performs this feat are School Daze (1988), Mo’ Better Blues (1990), Jungle Fever (1991), and Malcolm X (1992). (1992). Zimmie Shelton’s grandson, who aided in the financing of his feature film, Joe’s Bed-Stuy Barbershop: We Cut Heads (1983).
She earned a producing credit on the film, which went on to win a Student Academy Award for Merit. Michael Moore’s films are a personal favourite. His favourite film from 2002 was Bowling for Columbine. Is a lifelong Arsenal supporter and close friend of team captain Thierry Henry. Is frequently seen on-set dressed in Arsenal jerseys. When Norman Jewison was hired to direct Malcolm X (1992), Lee met with him and convinced him that he should “sit this one out.” With Jewison’s blessing, Lee then stepped in as director, believing that only a black director was qualified and could bring the necessary perspective. Director Ang Lee was a fellow student at New York University’s Tisch School of the Arts. Lee was born in Taiwan and was a member of Spike’s thesis film crew, Joe’s Bed-Stuy Barbershop: We Cut Heads (1983). On De La Soul’s album “The Grind Date,” he introduced the song “The Church.” In 2004, she served as a jury member for the Venice Film Festival. Is a huge fan of Golden Age musicals. The Deer Hunter is his favourite film (1978). This film inspired him to pursue a career as a director.
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Spike Lee Phone number: NA
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Spike Lee Fanmail address:
40 Acres & A Mule Filmworks, Inc.
75 S Elliott Pl
Brooklyn, NY 11217-1207