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Yun-Fat Chow Contact Details:
REAL NAME: Yun-Fat Chow
NICKNAME: Yun-Fat Chow
DOB: 18 May 1955
BIRTHPLACE: Lamma Island, Hong Kong
BIRTH SIGN: Taurus
FATHER: Not Known
MOTHER: Not Known
SPOUSE / WIFE: NA
YOUTUBE CHANNEL: NA
Yun-Fat Chow Bio
His parents, Chow Yung-Wan (who worked on a Shell Oil Company tanker) and Chan Lai-fong (who was a cleaning lady and a vegetable farmer), were both from Lamma Island in Hong Kong. Chow grew up in Lamma Island, Hong Kong. Chow grew up in an agricultural hamlet on Lamma Island, in a house with no electricity, and he has no regrets about his decision. The young man awoke at the crack of dawn every morning to assist his mother in selling herbal jelly and Hakka tea pudding () on the streets; in the afternoons, he went to work in the fields.
When he was ten years old, his family relocated to Kowloon. With only a year left in school, Chow dropped out to help support the family by working odd jobs such as bellboy, postman, camera salesman, and taxi driver to supplement their income. Immediately following graduation from college, Chow responded to a newspaper advertisement and was accepted as an actor trainee by TVB, a local television station.
Chow’s life was forever changed from that point on. He signed a three-year contract with the studio and made his acting debut in the same year as the signing. Chow rose to fame as a heartthrob and a well-known face on television soap operas that were broadcast around the world. In accordance with Chow Yun-filmography, fat’s actor made his feature film debut in 1976, appearing in a number of films produced by Golding Films, including Hot Blood (). Golding Films was established in 1972 by Gouw Hiap Kian and produced or distributed more than 100 films between 1972 and 1982.
Previously, Chow was married twice; the first time, in 1983, to Candice Yu, an actress from Asia Television; the marriage lasted nine months. Chow has two children. Chow tied the knot with Singaporean Jasmine Tan in 1986. In 1991, they were the parents of a stillborn girl. Celine Ng, Chow’s goddaughter, was a former child model for Chickeeduck, McDonald’s, Toys’R’Us, and other firms before joining the family business. Despite his affluence, Chow maintains a simple lifestyle. He can commonly be found at food stalls and on public transportation systems.
In interviews, he has stated that he intends to donate his fortune to charitable organizations. In 2014, Chow expressed support for the Umbrella Movement protests. Chow also expressed support for the 2019–20 Hong Kong protests, despite the fact that he is barred from working in the territory by the People’s Republic of China. Chow’s first movie deal was an exclusive acting contract with Goldig Films, which he signed when he was nineteen (note page 3). Chow made his television debut in the 1980 TVB series The Bund. The series, which followed the rise and fall of a gangster in 1930s Shanghai, was a smash hit throughout Asia, and it helped to establish Chow as a leading man.
Despite the fact that Chow continued to enjoy success on television, his ambition was to become a film actor. His infrequent forays into low-budget pictures in the 1980s, following in the footsteps of Goldig, were, on the other hand, a disaster. The majority of Chow’s films, which were produced by Goldig Films under an exclusive contract in the 1970s, had high gross revenues of more than HK$ 1 million per film. These figures are greater than those for films in which Chow appeared in the early 1980s, such as Modern Heroes (), Soul Ash (), The Bund (), and The Bund Part 2 ().
Take note of the gross revenues under the list of films. His big break came in 1986 when he collaborated with filmmaker John Woo on the gangster action-melodrama A Better Tomorrow, which rocked the Asian box office and established Chow and Woo as megastars in the process. At the Hong Kong Film Awards, he received his first Best Actor award for his performance in A Better Tomorrow. When it came out, it was the most successful picture in Hong Kong history, and it established a new standard for gangster films in the territory.
Chow took advantage of the situation and stopped watching television totally. Following the success of A Better Tomorrow, he went on to make numerous other ‘gun fu’ or “heroic bloodshed” films, including A Better Tomorrow 2 (1987), Prison on Fire (1987), Prison on Fire II (1991), The Killer (1989), A Better Tomorrow 3 (1990), Hard Boiled (1992), and City on Fire (also 1987), which served as an inspiration for Quentin Tarantino’s Reservoir Dogs (1991).
Chow is perhaps best known for his portrayals of honorable tough guys, whether they be cops or criminals, but he has also appeared in comedies such as Diary.In the 1989 film God of Gamblers, directed by the legendary Wong Jing, he pulled together his diverse personae, appearing as a sophisticated charmer, a broad comedian, and an action hero, all at the same time. The picture astonished many, proved tremendously popular and smashed Hong Kong’s all-time box office record. The “Babyface Killer” moniker comes from Chow’s characters’ typically rough demeanor and juvenile appearance, which has earned him the title.
In 2007, Chow Yun-fat attended the premiere of Pirates of the Caribbean: At World’s End, which was directed by Christopher Nolan. According to the Los Angeles Times, Chow Yun-Fat is “the coolest actor on the planet.” Chow relocated to Hollywood in the mid-1990s in an attempt to replicate his success in Asia, which eventually proved fruitless. In 1998, his first two films, The Replacement Killers (1998) and The Corruptor (1999), were both critical and commercial disappointments.
On the set of his next picture, Anna and the King (1999), Chow collaborated with Jodie Foster, although the film struggled to find success at the box office. Chow agreed to play the part of Li Mu-Bai in the Crouching Tiger, Hidden Dragon film, which was released in 2000. It was a big hit at the box office around the world, as well as at the Academy Awards. In 2003, Chow returned to Hollywood to star in the film Bulletproof Monk, which was released worldwide.
Chow made a surprise appearance in filmmaker Dayyan Eng’s Chinese rom-com classic Waiting Alone in 2004, marking the actor’s debut appearance in a mainland Chinese film. Curse of the Golden Flower, directed by Zhang Yimou, was his first collaboration with Gong Li, which was released in 2006. Chow appeared as the pirate captain Sao Feng in Pirates of the Caribbean: At World’s End, which was released in 2007. Nonetheless, when the film was aired in mainland China, Chow’s character was edited out due to concerns that he “vilified and humiliated” Chinese people, which the authorities deemed to be true.
Dragonball Evolution starred Chow Yun-fat as Master Roshi, a role that was met with mixed reviews. From Vegas to Macau, a film released in 2014, marked Chow’s return to Hong Kong cinema. In order to prepare for the role, he shed 13 kg in ten months. In October 2014, Chow expressed support for the Umbrella Movement, a civil rights movement in Hong Kong that seeks universal suffrage. His political stance eventually resulted in the Chinese government imposing censorship on him.
In February 2015, Chow returned to the screen in the sequel From Vegas to Macau II, reprising his role as Ken. In the 1986 action picture Yingxiong bense, Chow collaborated with renowned action filmmaker John Woo (1986; A Better Tomorrow). Chow became a box-office sensation in Asia as a result of the film, which spawned a series of Chow-Woo collaborations that included Yingxiong bense II (1987; A Better Tomorrow II), Diexue Shang Xiang (1989; The Killer), Zongheng sihai (1991; Once a Thief), and Lat sau san team (1993; The Thief) (1992; Hard-Boiled). Chow also collaborated with filmmaker Ringo Lam on several successful action films, including Lung fu fong wan (1987; City on Fire), Ban wo chuang tian ya (1989; Wild Search), and Xia dao Gao Fei (1993; Assassination) (1992; Full Contact).
When director John Woo and other important figures from the Asian film industry began working in Hollywood in the 1990s, Chow made the decision to follow their example. In 1995, he directed the Chinese film Woh ping faan dim (Peace Hotel), and the following year, he immigrated to the United States. A professional assassin who refuses to fulfil a mission and thus becomes a target himself made his Hollywood debut in The Replacement Killers (1998), after spending two years studying English and perfecting his acting talents in his own country.
Despite the fact that the film was a financial failure, critics praised Chow’s subtle performance in the picture. Anna and the King (1999), a film based on the iconic Broadway musical The King and I, was his next role. He co-starred with Jodie Foster in this film. In the year 2000, he received critical acclaim for his portrayal of a warrior in the martial arts film Wo hu cang long (2000; Crouching Tiger, Hidden Dragon). It was a worldwide success, and it was nominated for an Academy Award for best foreign-language film.
The English-language Bulletproof Monk (2003) and Pirates of the Caribbean: At World’s End (2007) were among Chow’s subsequent films, which also included the Chinese-language Man cheng jin dai huangjinjia (Bulletproof Monk, Pirates of the Caribbean: At World’s End) (2006; Curse of the Golden Flower). Later, he portrayed Confucius in the movie Kong zi, which was based on his life (2010; Confucius). The action-comedy Rang Zidan fei (2010; Let the Bullets Fly), in which he played a mobster, was China’s biggest grossing domestically made film at the time.
He also appeared as a spy noir Shanghai (2010), which was set in the Shanghai underworld of the 1940s. When Chow appeared in the drama Jian dang wei ye (2011; Beginning of the Great Revival), in which the events up to the establishment of the Chinese Communist Party were depicted, he played political leader Yuan Shikai. Chow was born in Hong Kong and raised in Taiwan. The Assassins (2012), in which he played Cao Cao, a Chinese general during the Han Dynasty, was one of his later films, as was the musical comedy Hua li Shang ban zu (2015), about the mastermind behind a counterfeit ring. His most recent film, Mo Seung (2018; Project Gutenberg), is about an oligarch who creates a counterfeit ring.
phone Number, Email ID, Website
|Phone Number||(424) 288-2000|
|House address (residence address)||Creative Artists Agency
2000 Avenue of the Stars
Los Angeles, CA 90067
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Phone number: (424) 288-2000
Email id: NA
Yun-Fat Chow Fanmail address:
Creative Artists Agency
2000 Avenue of the Stars
Los Angeles, CA 90067